... are allowed. I opend the comments function on this blog. So, as long as we don't get too spams, you are ver invited to suggest, comment, ask, etc. on this blog. I am as well interessted in links to other projects around this subject. VoilĂ
Ok. Let's kick this off with a call for more contributions. In a culture with public funding of the arts, personal financial involvement might seem unnecessary. Great though it is, institutionalisation of the arts - through funding and other means - creates a gap between individuals, which I'm hoping this project might bridge. At least raise some questions. Even with a lot of structures in place to 'take care of these things', we can still choose to spend our money on a little composition time. And with what result?
Monday, 23 Nov 2009: 200 NOK (23,84 Euro), by Borealis Festival Tuesday, 1 Dec 2009: 750 NOK (89,38 Euro), by Alwynne Pritchard Wednesday, 2 Dec 2009: 30 GBP (279,86 NOK/33,35 Euro), by London Performance Collective Tuesday, 8 Dec 2009: 150 EUR, by an artist Sunday, 20 December 2009: 250 NOK (29,45 EUR), by Tor Kristian Liseth Wednesday, 6 January 2009: 15 GBP (16,53 EUR), by anonymous Sunday, 7 Feb 2010: 5000 NOK (595,88 Euro), by Borealis Festival Wednesday, 10 Feb 2010: 25 GBP (27.69 EUR) by Vetoes/London Saturday, 27 Feb 2010: 1000 NOK by BEK (Bergen Centre for Electronic Arts) + 50 pounds by Gwyn and his Students+500NOK by Agvarde Tuesday, 2 March 2010: 1000 NOK by Labour Force at Kunsthallen
David Helbich (1973)
born in Berlin, school in Bremen, studied in Amsterdam and Freiburg, home in Brussels. Works as composer, choreographer, performer, event maker, text maker, interventionist, installationer and conceptual artist. Blogs his projects at
http://davidhelbich.blogspot.com and facebook.
Ok. Let's kick this off with a call for more contributions. In a culture with public funding of the arts, personal financial involvement might seem unnecessary. Great though it is, institutionalisation of the arts - through funding and other means - creates a gap between individuals, which I'm hoping this project might bridge. At least raise some questions. Even with a lot of structures in place to 'take care of these things', we can still choose to spend our money on a little composition time. And with what result?
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